從《誤殺》到《誤殺2》,從《Sheep without a shepserd》到《Fireflies in the sun》,螢火蟲閃著微光飛了一圈后終于落在男主的手上逐漸失去光亮,正如男主的生命一樣。劇情的節(jié)奏和鋪墊做的很好,始終像一根線一樣牽動著觀眾的情緒,埋藏了很多的伏筆。在“父愛”主題的延展背后,展現(xiàn)出來的是絕境之下的深層人性,極具社會現(xiàn)實性。
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Why in Beijing opera are woman's roles traditionally played by men? It's because only a man knows how a woman is supposed to act. | 戲劇感·女裝尊龍