《克拉拉與太陽》的另一面,成為一個機器人的幸運來自在死后被學(xué)習(xí)和認知,記憶的永存使生命永存。唯獨不是很喜歡decitate to a certain nationality這一點,I mean, what for? 無論是文化身份還是政治身份都沒看出太大的必要性。記憶的畫面呈現(xiàn)令人驚嘆。大提琴版盛夏的果實(就是莫文蔚那首)一出來太動人了,Meyna Co寫的旋律非常不俗。
Not a satire, certainly not a shitshow either, just an honest representation of how corruptive and exploitative the industry is. Its extensive, unreserved use of nudity and sexual scenes doesn't stop at being scandalous but go past it to urge the audience to avert their gaze. Showing something is not equal to being something - it can be the exact opposite. Showgirls accomplished this simply by being honest - no preaching, no evasions - the way it's handled is so succinct and effortless it's marvelous to see. And the fact that the leading actress was subsequently dropped by her agent and rejected by others - isn't that the most powerful and ironic vindication of how true the film actually is?